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Hackman has not simply dumped his wife for a sex bomb; the Ann-Margret character has been around the block a few times and operates from a center of quiet realism. It is possibly true that the life and growth has gone out of his marriage.

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Perhaps he deserves another chance - although the movie is too hasty to assume that his wife does, too, if only she knew it. The most complicated and interesting character in the movie is Amy Madigan's angry daughter. She's mad about more than the broken marriage.

Her husband is out of work, and in her late 20s she feels somewhat trapped by her marriage and children. A lot of her hopes have gone into her kid sister. She wants her to go to college and make a future for herself, but Ally Sheedy is rushing into her own early marriage. Madigan acts as the contact point between the various parts of the story: loving her sister, exasperated by her, standing by her mom, resentfully excluding her father.

It's quite an assignment, and as she tries to balance all those demands we see one of the most complex movie characters in a long time have you noticed how many recent movies assign their characters one duty and one mood and think that's enough?

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The Gene Hackman and Ann-Margret characters are complex, too. They are attracted not by lust but by the promise of a new life. They both feel that when they get up in the morning there's nothing to look forward to all day.

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  • This movie knows one of the differences between young love and middle-aged love: Kids often are motivated by romance, but people in their 40s and 50s sometimes are inspired by the most romantic ideal of all - idealism, and the notion that they have found a mate for their minds. The least-defined character in "Twice in a Lifetime" is the wife, played by Burstyn. Her husband has made his decision and left her to make hers.

    Twice In A Lifetime

    At first she is simply lost. Eventually she starts picking up the pieces, and she gets a job in the local beauty parlor. She even gets a new hairdo in one of the movies' most durable cliches. By the end of the film she has started to realize that she, too, was trapped by the marriage.

    Twice In A Lifetime

    But there is the slightest feeling that her realization owes more to the convenience of the screenplay than to her own growth. Absolutely awesomeness!! Rock on!! Can't wait to hear more from you guys. Thank you for the great jams. Blindpassasjer by Sometimes the purest post-rock, sometimes a bit of soft jazz.


    I'm not normally a fan of the latter, but it works here. A excellent album all together and track no. At the Edge by City of the Lost. Contrasting luxe shoegaze textures with languishing post-metal breakdowns, the New York band recast destruction as a sort of romance.

    Why Aren't You Laughing? The Woods by A Swarm of the Sun. Three monolithic compositions that explore the rifts between atmospheric metal and post-rock, melody and mayhem, sublimity and sorrow.

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